Ephraim and Archive Editions – a long-standing friendship
Ephraim has offered Archive Edition textiles in our galleries from the beginning. We met Paul Freeman, owner, and founder of Archive Edition Textiles, over twenty years ago at Arts and Crafts trade shows around the country. Our mutual love for Arts and Crafts era decorative arts led us on parallel paths of collecting originals and then reproducing Arts and Crafts Revival pieces. Kevin and Paul formed a friendship at these shows and always made a point of getting together after the show for dinner, where they compared notes about owning a small arts-based business. Kevin has personally collected Archive Edition Textiles for his home and sees them as an ideal complement for Ephraim’s pottery.
Archive Edition – an aesthetic of excellent and the perfect ‘soft landing’ for your ceramic collection
Paul’s discerning eye for authentic Arts and Crafts textile designs, colors, and quality is unmatched. Paul says, “Throughout my life, I have been continuously inspired by William Morris and hope to embody his spirit in all of our textiles.” Archive Edition Textiles represent a gold standard in Arts and Crafts design. We are so pleased to be able to share these wonderful textiles – which create the perfect soft landing for our pottery – in our galleries and now online!
Before Ephraim Pottery, potters Kevin Hicks and Ken Nekola, made miniature pottery as part of their work at Rowe Pottery. Rowe had a line of miniatures and sold doll tea sets to the Pleasant Company (American Girl Doll). Miniature-making required a special skill set and when it came time for Hicks to start Ephraim Pottery, he earned extra money working as an independent potter for the “Miniature Pottery” in Edgerton, WI.
Ornaments lead to Miniatures
Hicks’ and Nekola’s experience making miniatures eventually translated into hand-thrown ornaments at Ephraim. The ornaments, in turn, led to occasional experimentation with one-of-a-kind miniature vases. The finely-wrought details and demands in firing present a unique challenge that has taken the studio years to overcome. To date Ephraim has only managed to offer three miniature designs in short-run, limited-editions – all in the last 5 or 6 years.
Little Details make Divine Miniatures
This year, thanks to our master kiln-loader, Alek Schroeder, the fine motor sculpting skills of Ken Nekola and Laura Klein, and the amazing attention to detail and quality of our glazers, Jennifer Alexander, Becky Hansen, and Allison Jelenchick we are able to present you with three miniature designs in multiple glazing options. We are especially proud of the intricate details encompassed in this collection and hope you enjoy them as much as we do.
Two years ago, we asked, “What color glaze occurs from the accumulated glaze dust in our studio?” We discovered a black, speckled teal glaze and we used that color to make a limited run of “Earth Day Vases.” (read about the 2015 piece here). Inspired by our previous attempt at a recycled glaze, this year Becky wanted to find out what a glaze made from her scraping bucket would look like if she systematically omitted the green scrapings from the bucket. Becky painstakingly sorted her scrapings for an entire year. When the bucket was full, we reconstituted the glaze. The entire studio made predictions about the color – in the raw state the glaze was a chalky pink color that resembled many of our other glazes, but what color would it be fired to 2000 degrees?
The next morning when we plucked the sample out of the kiln, the whole studio had a good chuckle when we saw the color – green! Of course, in the end, this made sense because all of the yellow scrapings mixed with all the blue scrapings. The resulting glaze color is a unique shade of green with a softer tone than our leaf green; slightly bluish, though less blue than our teal glaze.
With this pleasing, creamy bluish green glaze in mind, we turned to Laura Klein to design a vase suitable to our new bucket of glaze and to an Earth Day theme. Immediately Laura seized on the idea of making a cicada vase. The rich symbology of a cicada from ancient art – representing rebirth and immortality, paired with poppies – representing sleep and death, seemed like the perfect, unique theme for this special piece.
At Ephraim Pottery sustainable practices are a regular component of the workflow. We recycle our used clay within the studio & by donating to local ceramics programs, we purchase energy from a solar and wind-sourced power grid, in the woodshop, John uses “scraps” of his quarter-sawn oak to build the smaller tile stands, and we offer reusable cloth bags in our galleries. Various staff members walk or bike to work, others drive fuel efficient vehicles. The list goes on…but you get the idea – we truly care about this beautiful planet and strive to protect the natural world which is our essential source of inspiration in our art.
We invite you to add this special vase to your collection and to also continually strive to make healthy choices for our planet. In honor of Earth Day, we will donate $20 from the purchase of each vase to The Alliance for the Great Lakes. Their mission is to conserve and restore the world’s largest freshwater resource using policy, education, and local efforts, ensuring a healthy Great Lakes for all generations. Happy Earth Day!
Spring is here! As the frozen landscape once again gives way to warmer days we joyfully celebrate some of the season’s most fleeting actors – a dramatic magnolia bloom, elusive nuthatch, delicate bluebell, humble crocus and emerging frog – with our limited edition 2017 Spring Collection. Available online March 1st – 31st, 2017.
Introducing “Glaze drop Jewels” a new line of jewelry made exclusively for Ephraim by Michael Thee and Mary Wohlgemuthof Michael Thee Studio.
In the 20 years that we have been making our own glazes they have been flowing off or our pots and pooling in beautiful “drops” on our kiln shelves. We have marveled at these unique by-products of our process and dreamed of someday utilizing them. Then this summer we met jewelry artists Michael Thee and Mary Wohlgemuth of Michael Thee Studio. They were not only enthusiastically open to working with our “rare gems,” but their wonderful handmade aesthetic and shared value of working collaboratively make us proud to work with them and showcase their art.
Ephraim’s glazes, a signature element of our pottery, are unconventional in that they have been designed to flow. Most potters use stagnant glazes because flowing glazes present such a multitude of difficulties. Yet we find that the rich character and surface quality that exists as a result of the flowing glazes far out weigh the problems. In order to work with these glazes, we suspend the pots in the kiln on a stilt over a kiln shelf. As the glazes flow in the firing they run off the foot of the pot and pool in drops on the kiln shelves. We then grind the bottom of the pot to remove the vitrified drips of glaze on the foot.
After we remove all of the pots from the kiln, 6 shelves – all spotted with unique glaze drops – remain. We scrape these drops from the shelves, apply a new layer of kiln wash – a coating that protects our shelves from the daily glaze drops – and we admire and collect the uniquely beautiful glaze drops during this process. Inevitably new glaze combinations produce unusual looking drops, which creates an additional level of excitement in the studio. As Kevin often points out, “that glaze drop is rarer than a diamond,” and with all these beautiful specimens piling up around the studio we simply had to find a way to exhibit them.
That is where the award-winning jewelry artists Mary and Michael come in. We met Mary and Michael at the Lake Mills Arts Festival. Their jewelry and metalwork stood out to us as exceptionally well rendered and incredibly inventive. Mary and Michael gravitate to organic themes like trees, leaves, and stars in much of their work. They also playfully incorporate historical architectural design elements into their work, mingling organic and industrial-inspired motifs. Their work with these familiar themes means that we have a shared aesthetic and because we speak this same language, they are perfect collaborators. Here Michael and Mary are shown working in their Milwaukee jewelry studio.
Did you know that we work in limited editions? We make up to 500 pieces of each design. The popular Dancing Dragonflies Bowl is approaching 500 and will retire soon. If you admire this design, order soon!